The words interfaces are made of.

An editable image view that shows its current picture and accepts a replacement dragged or pasted straight into it.

A row or grid of customer logos used as social proof, usually flattened to one colour so no brand dominates.

Collecting many similar alerts into one summary rather than delivering each, so the count rises but the number of interruptions does not.

A raw palette value named for what it is, like blue-500, sitting under the semantic layer that names colours for what they do.

A translucent or gradient layer laid over imagery or behind a dialog, dimming what is beneath so text on top clears contrast or so focus moves forward.

A scanning shape where the eye jumps to isolated words scattered down the page, hunting a keyword, a link or a number rather than reading anything.

A brief, self-dismissing message that appears at a screen edge to confirm an action or report status without interrupting the user's flow.

The register for screens read from a couch: focus-driven navigation with a remote, oversized type and cards, horizontal rails, and safe margins for TV overscan.

Dragging a selection across one chart to highlight the same records in every linked view.

The A, AA, or AAA tier a WCAG success criterion sits in, and the tier a product claims, which is what people mean when they say a design is AA.

The line or highlighted gap drawn during a drag to show exactly where the item will land if it is released now.

The visible outline drawn around the element that currently holds keyboard focus, showing where the next keypress will land.